Conference Presentations
- From the Netherlands to England: The Arts, Virtuosi Culture, and the Rhetoric of a National School in the Eighteenth Century”
American Society for Eighteenth-Century Studies, Richmond (March 2009)
- “Painting as Natural Philosophy in the Age of Feeling”
American Society for Eighteenth-Century Studies, Portland (March 2008)
- “Early Modern British Art and the Limits of Nationalism”
American Society for Eighteenth-Century Studies, Atlanta (March 2007)
- “Between Art and Science: Representation, Dr. Richard Mead, and the Royal Society in the Eighteenth Century”
- Beyond Mimesis and Nominalism, London School of Economics, London (June 2006)
- “‘Inspiring Reciprocal Emulation and Esteem’: The Case of Dr. Richard Mead and His Collection at Great Ormonde Street”
American Society for Eighteenth-Century Studies, Montreal (March 2006)
- “The ‘Royal Task’ of the History of Trades Program: Francis Bacon, His Legacy, and the Fine Arts in Seventeenth-Century England”
Renaissance Society of America, San Francisco (March 2006)
- “Dissection on Display: John Evelyn’s Anatomical Tables and the Circulation of Virtuosity”
College Art Association, Atlanta (February 2005)
- “‘The Extream Delight You Take in Pictures’: The Royal Society and Dr. William Aglionby’s Painting Illustrated”
Midwestern American Society for Eighteenth-Century Studies, Chicago (November 2003)
- “From the Founding of the Royal College of Physicians to the Founding of the Royal Society: The Impact of the Italian Renaissance on English Art and Medicine”
COPIA: A Graduate Renaissance Studies Conference, Yale University (April 2003)
- “Assuming Empirics, Arrant Quacks: Antiquarianism and the Empirical Legacy of Don Quixote”
Canadian Society for Eighteenth-Century Studies, Québec City (October 2002)
- “Sensibility and the Virtuosi: Spectacular Connoisseurship and the Rembrandt Hoax”
Canadian Society for Eighteenth-Century Studies, Saskatoon (October 2001)